50 Miniature Movie Sets That Will Blow You Away

In the pre-digital days, filmmakers had to build it if they wanted to shoot a scene in a fantastic environment. For wide shots, a very specific art form was born; the art of the miniature. Filmmakers would hire prop makers skilled in architecture, and visual design was hired to create tiny scale models of all kinds of spaces. The miniature sets were used for several purposes and were virtually indistinguishable from the real thing. Miniature sets are still used today and sometimes are even preferable to all-digital approaches. The most important part of visual effects is to make viewers believe what they see on screen is real.
Harry Potter - Hogwarts
In all of the Harry Potter films, a miniature model of Hogwarts was used. The model was huge, stretching fifty feet across, and is modeled after Durham Cathedral with little bits of Alnwick Castle mixed in. The model is so detailed that doors even have hinges and tiny replica owls perch in the owlery.

In addition, there were walkways, bulking towers, and added land around the castle. It took seven months to build and forty people to make it ready for the camera.
Poltergeist
The film Poltergeist is a masterpiece of old-school effects, creating a tale of a family being driven to madness by a very upset spirit. The film features the Cuesta Verde house, which is built on top of an Indian burial ground.

In order to pull off the house and it imploding and being sucked into another dimension, the director had a six-foot-long model replica constructed. It took four months for the house to be built, and then it was destroyed by attaching metal wires to various points inside and pulling it down through a funnel.
Indiana Jones And The Temple Of Doom
The film Indiana Jones and the Temple of Doom used several miniature sets while filming. The mine-cart sequence in the second Indy film is a cinematic classic, a high-adrenaline chase through the Thugee temple with the Sankara stones in tow.

A large portion of that scene was filmed with miniatures. The artisans at Industrial Light & Magic built cave walls out of aluminum foil painted brown and populated the carts with amazingly detailed figures of the lead actors and their cultist pursuers. They used tiny lanterns, barrels, and other clutter to help increase the sense of realism. The entire film was filmed in stop motion, even the tracking shots.
Batman - Gotham City
Tim Burton and Anton Furst created a cinematic Gotham City in the film Batman that was unlike anywhere else on Earth. They used many different techniques, including the use of ridiculously detailed miniatures.

The scene when the Batmobile crashes through the gates of the Joker's factory amid explosions was one example. They seamlessly transition between live-action and miniature work. They were able to make it look like it was all regular-sized sets.
The Lord Of The Rings - Minas Tirith
There is plenty of CGI in Peter Jackson's film, The Lord of the Rings, along with several miniatures. The New Zealand workshop built a wide array of what they called Bigatures for some of Middle-earth's most notable landmarks.

The architectural structures featured a staggering amount of detail, including the castle of Mina Tirith. The castle stretched a staggering twenty-three feet high, and it took roughly one thousand hours just to build this one piece.
King Kong - King Kong Abduction
King Kong is another film that used miniatures during filming. O'Brien and his crew also found a way to use rear projection in miniature sets. They built a tiny screen into the miniature onto which live-action footage would then be projected.

In the scene where Kong is trying to grab Driscoll from a cave, they use a fan to prevent the footage that was projected from melting or catching fire. In addition, the scene when Kong puts Ann at the top of a tree switches from a puppet in Kong's hand to projected footage of Ann sitting.
Escape From New York - Manhattan Island
In John Carpenter's classic Escape from New York, they weren't allowed to film in the Big Apple and instead filmed it in St. Louis. However, they needed an establishing shot to sell Snake Plissken hand-gliding into the city.

So, they built a miniature recreation of Manhattan and duplicated the south side of the city in great detail. The model also did double duty for the computer navigation displays on Snake's monitors.
Mad Max: Beyond Thunderdome - Sydney, Australia
Miniatures were also used in the film Mad Max: Beyond Thunderdome. At the end of the film, Jedediah flies Savannah and the other children away from Bartertown. They fly over the ruins of Sydney, Australia, which was decimated by some unknown holocaust.

Dennis Nicholson and his crew built the entire city in miniature, with a ruined Opera House looming over a dried-up harbor as the centerpiece. Sadly, when filming finished, they had to destroy the miniatures because they were too large to store.
The Grand Budapest Hotel
The Grand Budapest Hotel is another film that uses miniatures, especially since Wes Anderson is a notorious control freak. He hired a studio in Potsdam to build the titular building for The Grand Budapest Hotel.

It was a fourteen-foot-long model and was designed out of whole cloth by Anderson and Adam Stockhausen. They combined inspiration from many different architectural styles. In addition, the railway and snow-covered forest were also miniature sets.
Ghostbusters - Stay Puft Attack
The Ghostbusters movie is jam-packed full of visual shenanigans, but the rampage of the Stay-Puft Marshmallow Man through the streets of New York City was tricky. They did the sequence partially through blue-screening the huge costume, which was operated by four people, onto footage of real streets.

However, for the wide shots, they had to go to miniature. They built the street scene of Central Park, and the scene featured remote-controlled cars and broken fire hydrants that sprayed sand.
Inception - Snow Fortress
Christopher Nolan was the director of the mind-bending film Inception. He used plenty of CGI, but for the Snow Fortress scene where the mountaintop hospital explodes, miniatures were used.

Nolan and his crew built a 1/6 scale model of the building, which was forty feet high and was braced on scissor lifts. They filmed at seventy-two frames per second, and it took just 5.5 seconds to blow it all up.
Superman Returns - Metropolis
The film Superman Returns included miniatures and was the first film to have been shot with digital Panavision Genesis cameras and to have used a daunting dozen Avid systems in post-production.

The majority of filming took place at Fox Studios Australia, using all nine sound stages. The film's production consisted of sixty set pieces, and a total of fourteen hundred visual effects shots were created.
Braindead
The film Braindead has effects that are outstanding, including miniatures. The film has all kinds of models, most made out of wax and other pliable materials.

The zombies were made brittle because they ended up being ripped apart. In addition, many of the effects were achieved using puppets. The set of Lionel's house was built several feet off the ground so that puppeteers could operate underneath.
ParaNorman
In the film ParaNorman, there were forty-five animators, modelers, and riggers. There were also more than thirty-one thousand props used. The Town Hall consisted of two full sets, including twenty thousand miniature cast books, and the model shop made twenty-six vehicles with all of the features.

For the movie's almost three dozen unique locations, it took eighteen carpenters, six riggers, eighteen model builders, twelve scenic painters, eleven greens artists, and ten set dressers. They also made three hundred feet of country road and two thousand individual trees.
Alien
In the film Alien, the Nostromo was constructed from styrene, acrylic, and ABS plastics. It was made by visual effects miniatures artist Jon Sorensen. He also created the miniature engine room that was featured in the shot of Nostromo to show Ripley setting the ship to self-destruct to eliminate the alien while she and Jones the cat escape in the ship's shuttle lifeboat.

He achieved the illusion by a rear projection being lit behind the miniature, and an insert of Ripley's character was put into the model's windows.
Independence Day
The film Independence Day has several alien attacks, which end up obliterating landmarks. All of the destroyed landmarks are actually just miniature models of real landmarks. They used a miniature model of the plane and the buildings.

The film's visual effects even earned multiple awards. Volker Engel stated, "Our pyrotechnician, the late Joe Viskocil, and our miniature supervisor Mike Joyce did a fantastic job."
Back to the Future: Part III
In the film Back to the Future: Part III, both the locomotive and DeLorean time machine were miniatures. They are miniatures, but there are very large miniatures. The train was too impractical and the last few moments of the Sierra pushing the DeLorean toward the canyon were actually large miniatures.

The shots are also partly obscured with CGI effects when the time-traveling car reaches eighty-eight mph. It allowed the crew to reuse the footage of the miniature multiple times without the viewers ever noticing.
Goldeneye
The film Goldeneye used a lot of miniature effects to make the shots that were required to complete the film. They used a lot of miniatures because of budget constraints.

The miniatures included buildings, aircraft, satellites, and telescope dishes. The miniature effects supervisor was Derek Meddings, and he stated that he even used flour and cat litter to create the Severnaya satellite bunker miniature set.
Titanic
The film Titanic was one of the most expensive films to make, and it was directed by James Cameron. Cameron and his team built a number of large models, including a 1/8-scale replica of the titular ship's stern jutting up from the water.

In order to avoid a composite, green-screened shot, Cameron positioned seaborne extras in front of the sprawling miniature. The largest miniature used in the movie was the ship that stretched forty-five feet.
Jurassic Park
In the film Jurassic Park, Mike Trcic sculpted a 1/16th scale of a Tyrannosaurus and also a 1/5th scale T-Rex. "I had to sculpt the model in a neutral position so that Phil Tippett could put an armature inside it and animate it, so the legs were splayed out.

When Horizon toys released the model kits of the dinosaurs from the original molds, they didn't fix it, so it looked ridiculous!" ----- Mike Trcic.
Lord of the Rings: The Return of the King
In the film Lord of the Rings: The Return of the King, Barad-Dur is only shown a few times and is depicted as a castle-like fortress on the side of the mountain. Richard Taylor and his team built a nine-foot-high miniature bigature of Barad-Dur for the film.

The film shows it as clearly visible from the Black Gate of Mordor. Barad-Dur means dark tower, and it is described as dark and surrounded by shadow, having giant caverns under the immense structure which could have prisons.
Independence Day
Independence Day is another film that used several miniatures and models during production. Most of the spaceships were computer generated, and the film relied on practical effects for the explosions. The most iconic scene from the film is the White House and when it is blown up.

Volker Engel stated, "Our pyrotechnician, Mike Joyce did a fantastic job in preparing a fifteen-feet wide and five-feet high miniature of the building; basically a plaster shell attached to a metal body, with individual floors and a lot of furniture and other details on the inside."
Indiana Jones and the Raiders of the Lost Ark
Indiana Jones and the Raiders of the Lost Ark is another film that used miniature submarines and boats, a miniature set for the aftermath of the ark ceremony on the plateau, and matte paintings.

Spielberg actually had miniature sets of larger scenes built just for informational purposes so that he could visualize the layouts and lighting in advance. He also used one-inch tall figurines to suggest how many extras he would need.
The Return of the Jedi
The Return of the Jedi film did a great job of making everything look good. When you see the "full-size" rancor on screen, you are actually seeing an eighteen-inch puppet.

However, when you see the rancor's paw grab Luke, you see a life-size hand. In order to make it work, they shot the scene beneath Jabba's palace on two scales. The rancor puppet was filmed on a scaled-down model that was built by Dave Carson.
Lord of the Rings
In the film Lord of the Rings, the model of Isengard was sixty feet in diameter. The models of the pits of Isengard were carved out of foam, and the mine workings were put into miniature.

Many stated that the model looked so realistic. In the film, the Orthanc is in a tower in the center of Isengard and is the home of the Wizard Saruman.
Lord Of The Rings: The Two Towers
In the film Lord of the Rings, Helm's Deep is a 1/4th scale model and is used in The Two Towers. Helm's Deep refers to the ravine in which the fortress is located, which consists of the Deeping Wall and a fortress-like tower, the Hornburg.

Alan Lee designed the set, and it was considered the most difficult to design and build. The miniature is a 1/35th scale model.
Lost in Space
In the film Lost in Space, the spaceship was designed by L.B. Abbott and Howard Lydecker. The spacecraft measured forty-eight inches in diameter and featured an articulating landing gear for the landing sequences with the original "Fusion Core Atomic Engine" wired with light bulbs.

The ship's hull is crafted of fiberglass and wood, and the Fusion Core is made of resin and fiberglass with translucent plastic windows for illumination. It has amazing workmanship.
Return of the Jedi
In the film Return of the Jedi, the special effects are in full effect during the Endor chase. They created models of the characters and their futuristic craft to map out the sequence.

They used both live actors and miniature figures while also using blue screens. The speeder bike chase was filmed in the redwood forests of Smith River. Dennis Muren came up with the idea of using a Steadicam.
Star Trek: The Motion Picture
In the film Star Trek: The Motion Picture, the U.S.S. Enterprise was designed by Mathew Jefferies. It was a large miniature with lots of details and special features. He, along with Andrew Probert, gave the ship an interesting texture and added many windows, and they even gave the Enterprise landing gear.

Taylor stated, "My approach was to give it a stylization that was almost Art Deco. Things became more elongated and more elegant than the T.V. series version.
The Abyss
The Abyss was jam-packed with miniature versions of massive vessels, especially because it was long before the Titanic and Avatar days when they could have a thousand full-scale ships. Most of the vehicle shots in The Abyss feature models, such as the 1/8-scale mini-subs that featured working lights and housed projectors.

The projectors were used to display pre-filmed images of the actors against the inside of the domed cockpit windows. In addition, the alien vessels were simply detailed models, and most of them were shot moving through the smoke to simulate underwater murk.
True Lies
Jamie Lee Curtis and Arnold Schwarzenegger star in the film True Lies as husband and wife. The couple gets caught up in a terrorist plot in Florida, and Schwarzenegger has to save his captured wife in a limo. The scene occurs on the Seven Mile Bridge in the Florida Keys, but they couldn't obviously blow up the real bridge.

They built a model of the bridge and set it up with explosives, along with smaller versions of the vehicles belonging to the villains. Other miniatures were the jet flying over Florida skyscrapers and the wintry escape that opened the film.
Blade Runner
By the time Blade Runner was filmed, the use of miniatures in movies had been well-established. Douglas Trumbull was responsible for creating and building the flying cars and Spinners in 1982's Blade Runner.

Several of the in-flight and zoomed-in shots were of a forty-four-inch-long replica. Trumbull's use of bright, flaring lights on the miniature Spinner was amazing.
V for Vendetta
In the film V for Vendetta, V is the anarchist wearing a Guy Fawkes mask, and he goes to great lengths when planning to uproot the regime that has taken over the UK. He gives up his life and is placed in a train car that is sent off to be his final message.

The train ends up being rigged with explosives and is detonated while traveling through Parliament and Big Ben. They couldn't blow up the real landmark, so they built a much smaller version of the clock tower. The Big Ben miniature reached thirty feet, and the Old Bailey miniature reached up to twenty feet.
The Impossible
In the 2012 film The Impossible, there is a devastating tsunami sequence inspired by the 2004 tsunami on a Thai resort. Magician GmbH built a handful of 1/3-scale bungalows and surrounding trees, poolside umbrellas, and a nearby pool.

Then the crew dumped a million liters of water on the miniatures, creating a 1.5-meter-high wave. The result and the scale of the destruction are more convincing than its bigger-budget equivalents.
The Wizard of Oz
At the beginning of The Wizard of Oz, a tornado swirls around the empty and deserted landscape of Dorothy's Kansas home. The film was made in 1939 when visual effects weren't great, and there weren't many options. The end result was made with miniatures, including Dorothy's home and farm.

The tornado was made with a long piece of muslin cloth, in which the material allowed it to be easily shaped, and it mimicked the flexibility of a true twister. The tornado scene was filmed on a sound stage and later projected in the background when the actors were on screen. That scene was one of the most expensive scenes of the entire movie.
The Fifth Element
The film The Fifth Element features a lot of CGI but also practical effects and miniatures. The whole of New York City was a model that took five months to build and a team of eighty workers.

The model of the city was nearly twenty feet high in some places. The model stretches six hundred stories, complete with traffic jams caused by flying cars and a luxurious outer space pleasure ship cruising over a water planet.
Ben-Hur
Ben-Hur is another film that used several miniatures during production. The hero ships were built at a 1/6th scale and had molded rubber figures with posable wire armatures on the decks.

There were even figures that were made to mechanically walk the decks, and there were motorized mechanisms inside to move the galley oars. In addition, distant ships were built on a smaller scale.
Godzilla
Ishiro Honda directed the 1954 Japanese film Godzilla, and it made extensive use of miniatures. The Godzilla suit was created using thick bamboo sticks and a frame of wire, along with metal mesh and cushioning over it to pillow its structure, and finally, they applied latex coats. They also added molten rubber coats, strips of latex, and carved indentations.

The model weighed about one hundred kilograms and took thirty to forty workers from the carpentry department to build it. It took another three months to build the city of Ginza. The Diet building was built smaller to make Godzilla look larger, and some of the miniatures were fixed with explosives to be demolished by Godzilla’s atomic breath.
Hereditary
The film Hereditary was filmed at Park City Film Studios in Heber City, Utah, and ten crew members built the miniatures in Toronto and shipped them across the border. The structures were meticulously crafted and were built in traditional carpentry fashion.

They built furnishings inside each miniature, and the largest model was the replica of the Graham family's craftsman-style house. It measured nine feet across by four and a half feet deep. Newburn stated, "To make a chair like the ones in the preschool by hand would take a couple of hours. We made 30 of them in about an hour with the 3D printer."
A Space Odyssey
A Space Odyssey was directed by Stanley Kubrick, who is considered one of the greatest filmmakers ever. It took three years to complete production due to developing convincing models of spaceships and locations.

The model's sizes ranged from two to fifty-five feet, and the shots that had the spaceship moving or where the viewpoint changed were accomplished by directly filming the model. For the interior, there was a thirty-short-ton rotating Ferris wheel, and the set was ten feet wide.
The Terminator
When people think about the film The Terminator, they often think about Arnold Schwarzenegger. What a lot of people don't know is that the film relied heavily on the use of miniatures. In the scene when the skulls were crushed by a tank tread, the skulls were actually about the size of marbles.

In the tanker truck explosion, forty-two separate explosions occurred in a model truck that was a foot and a half high and eight feet long. In addition, the rollover and crash of the cryo-tanker were filmed with miniatures.
Fantastic Mr. Fox
The film Fantastic Mr. Fox was filmed with many puppets; the production team used five hundred and thirty-five in total. Many of the sets used repurposed household materials such as terry cloth for grass and Saran Wrap for a waterfall.

"Anything we want to put in the shot, somebody's got to make it. You could go to a dollhouse place and buy a prop, but obviously, it wouldn't have quite the flair or the style." ----- Mr. Lowry.
Shutter Island
The film Shutter Island created more than one hundred and twenty shots using miniatures, as well as digital effects and photography. Matthew Gratzner was the visual effects supervisor, and with his team, he built a fourteen-foot model lighthouse, the Ashecliffe asylum, and the interior stairwell.

The shot when the lighthouse is shown with the sunset in the background was accomplished through the use of miniatures. The rocks in the foreground were also miniatures.
The Aviator
Martin Scorsese was the director of the film The Aviator, and he used scale models to duplicate many of the flying scenes. The scale models were the Spruce Goose and the XF-11, and they were both created over several months.

The homes that the plane crashed into were also miniatures. The models were built by New Deal Studios, and they are now on display at the Evergreen Aviation Museum in McMinnville, Oregon.
The Dark Knight
In the film The Dark Knight, Christopher Nolan is the director, and he chose to use miniatures during the underground chase scene. In that scene, the Tumbler slams into a garbage truck, swings around, skids and speeds down the tunnel.

The truck, car, and tunnel are all 1/3-scale models and were all built by New Deal Studios. They were also filmed with motion-controlled cameras, which zipped along tracks alongside and behind the action.
Interstellar
In the film Interstellar, the miniature models were also created by New Deal. They created miniatures of the Endurance, Ranger, and Lander crafts. Docking shots, a scene featuring an explosion, and the descent into the black hole all used significant miniature effects.

"New Deal Studios built a sturdy model of the Endurance that was four feet across and based on 3D models worked up in MODO and Rhino." ----- Hunter.
The Ten Commandments
In the film The Ten Commandments, the parting of the Red Sea was accomplished by filming water as it poured down two sides of a U-shaped miniature tank and then running the film backward.

They accomplished that by slicing a slab of Jello in two and filming it in closeup. The film used a combination of large sets and detailed miniatures to bring Egypt to life.
Casino Royale
In the film Casino Royale, it was Daniel Craig's first outing as the 007 agent, who was presented as being more vulnerable. In the scene when the palazzo sinks, it is all done with miniature models.

It's an old-school effect, but it looks spectacular, especially when you realize it isn't really life-size. They show miniature buildings sinking into the sea.
Back To The Future II
In the film Back to the Future: Part II, the director used several miniature models during filming. In the 1989 film, the flying DeLorean comes in for a landing with no visible cuts between the car hitting the road and the actors piling out.

The shot starts with a three-foot-long scale model, which swoops in and touches down. The model passes behind a streetlight, which covers a split-screen effect, and the car emerges on the other side of the pole.